UGB Chapter 1457 11456 Just an insignificant blood flower blooming on the chest in the joys and sorrows
Chapter 1457 11456 Just an insignificant blood flower blooming on the chest in the joys and sorrows
Chapter 1457 1.1456 It’s just an insignificant blood flower blooming on the chest in the joys and sorrows of life
It is conceivable that the fearless charge of the 504nd Company of the 2th Battalion will definitely affect everyone in front of the big screen, including the Führer. Especially when these "last iron cavalry" who survived in front of the opening scene of "Act Five" were dreaming of a peaceful life for a month's vacation one moment, and then fell to the ground one after another with heroic "sacrifice" one after another. The shock in front of the camera, which was completely shot in real scenes, is even more powerful.
"Sergeant, cheer up! Sergeant, cheer up. Your Serra is still waiting..."
"Sir, sir, wake up, wake up! The enemy is coming..."
"Second Lieutenant, reload quickly! Hurry!..."
"Boom -" there was a loud noise, and the entire position was blown into the sky.
At the moment when the position held by the Second Company was bombed, the "live shots" that had been steadily recorded since the beginning of the movie were also bombed into the sky. The perspective of the audience in front of the screen is also spinning. Then he landed hard.
It felt like the perspective focusing on the "Last Iron Cavalry" of the 504nd Company of the 2th Battalion was suddenly blown away from the big screen. It's as if the audience with a "voyeuristic perspective" is immersed in the movie and suddenly pulled back to the audience seat by the camera. Looking back on this feeling of "escaping" again, it is more like traveling through two worlds separated by the big screen: the "movie world" and the "real world".
The audience in the movie theater subconsciously leaned back, or screamed and held their heads to avoid it. These were the most authentic first reactions to the "time-travel lens". It is really "shocking" and "six gods have no master".
So the look and feel this time is different from before. Or to be precise, the ending of "Act 5: The Last Iron Cavalry" "exploded" the audience's "perspective" from the characters in the play to the big screen.
Just when everyone was extremely shocked by this magical "time-travel lens", the tilted perspective (lens) fixed on the big screen suddenly moved. The sound of labored breathing came from the "voice-over" accompanied by the shaking camera.
Oh my gosh, it’s the photographer who has been ignored out of the camera!
However, even at the end of the entire movie, the unknown military photographer who faithfully recorded the final battle of the 504nd Company of the 2th Battalion did not appear in front of the camera from beginning to end. If this powerful cannonball hadn't blown up the entire position along with the camera position, the unknown military photographer would not have lost his position and dropped the camera in his hand.
After understanding the film footage edited by female director Leni Riefenstahl, the viewing hall that "broke the fourth wall" was silent for a while.
As the unknown military photographer breathed increasingly hard intermittently, blood began to drip from the shaky picture. Apparently, the powerful cannonball just now also injured the unknown military photographer. And he was on his deathbed from serious injuries.
Just as the audience expected in front of the big screen. Soon, the entire big screen was stained red with the blood of the military photographers.
"The director didn't shout to stop, then, just keep filming." The legendary French actress Josephine Baker, who was in the viewing area on the second floor, burst into tears on the spot.
"Click——" A beam of bright light illuminated the "majestic figure" of the head of state, and the movie came to an abrupt end.
After a brief pause, the suffocating atmosphere in the viewing hall suddenly exploded.
The audience stood up spontaneously, with tears streaming down their faces, and burst into thunderous applause.
"My angel, you have accomplished another pioneering work." The head of state and female director Leni Riefenstahl excitedly shook hands instead of hugging each other, demonstrating respect that transcends gender: "This is undoubtedly a great work. "Getting your encouragement is the biggest meaning for me to participate in this shooting." After all, the female director Leni Riefenstahl is also a good actor.
"Ah, my angel. This is the glory of the empire." The expressiveness of the head of state in front of the camera can indeed bewitch people's hearts.
"As expected of Leni." Compared with the simplest emotion of the ordinary audience in the auditorium on the first floor, the Austrian female star inventor Hedy Lamarr, as a senior filmmaker, had a more profound observation: "From "Sicily" The "Beautiful Legend" opens with Malena smiling at the audience and saying, "I want to make a movie." The bloody ending ends with an unknown military photographer being blown out of the lens. Leni, the Propaganda Minister Joseph Goebbels, will be the number two figure at all costs. "National Glory: The Battle", which was created in conjunction with the propaganda war of the Third Reich, is nested within the "play within a movie" structure of "I Want to Make a Movie" while also completely "breaking the fourth wall". It breaks the "Nazi propaganda war meaning" that "No. 2" imposes on the film. It becomes a bloody erotic book for filmmakers (tsk, I feel like this pool can no longer accommodate you, my lord)."
The profound observation of Austrian female star inventor Hedy Lamarr also echoed the second casting assistant Anna Moffett’s understanding of the filming of "The Battle": "Recording the real events is to support Leni Riffin Stahl's strong belief in completing the final cut of "The Great War" is just like director Giovanni's last words: "War has never been the responsibility of us filmmakers. It is our responsibility to find belonging in this bloody cannibalism of mankind." A bloody curtain for filmmakers. Record, describe, and create in a filmmaker's way. The good and the bad, the righteous and the evil, or just an insignificant blood flower blooming in the chest. '"
Danielle, the leader of the "SA3 Sisters" and the chief casting assistant, expressed the sentiments of all filmmakers: "'It's just an insignificant blood flower blooming on the chest in the joys and sorrows of life.'"
"Leni did it."
There is no doubt that the premiere was an unprecedented success.
When the movie ended, the live broadcast of the premiere once again cut into the movie viewing scene.
As the camera lens pans over the tearful faces of ordinary viewers, the viewers sitting in front of the TV can't help but be infected by the full emotions in an instant.
Soon after, the classic scene of the Führer shouting "Ka" was edited in the shortest possible time, and was played on TV screens in various public places, whether it was the Berlin subway, train stations, or densely populated department stores and luxury hotels. The sensational effect caused was unprecedented, especially considering that the Third Reich's short-lived national destiny was destined to be short-lived.
The talent of female director Leni Riefenstahl has been recognized around the world with the "Fourth Wall-breaking" film "National Glory: The Great Battle." More importantly, from a pure filmmaker's perspective, female director Leni Riefenstahl was completely cleared of Nazi suspicion.
Concentration camp platform, "The Distinguished Lady".
Once again, the set security director, female guerrilla Irene, who was about to inspect the carriages, reminded everyone: "Be careful, everyone, the movie has ended."
Anna Moffitt, the second casting assistant who had been watching the live broadcast in the upper cockpit, nodded slightly: "The plot of "The Great Battle" has ended, and our plot is about to be staged."
Hannah Leitch, a female pilot who was sitting in an advanced and advanced cockpit as a train driver, looked up from the pocket display screen embedded in the control panel: "Is there no news about Louise and her team?"
The set security director, female guerrilla Irene, stood up from her post sitting next to the porthole: "Not yet, the wireless signal in the set has not turned off the screen, and we have been unable to contact them."
"I always feel like something is going to happen." Before departure, the set safety director and female guerrilla Irene looked thoughtfully at the dark winter night outside the porthole.