UGB Chapter 116: Post-70S, Post-80S, Post-90S. (5)
Chapter 116: Post-70S, Post-80S, Post-90S. (5)
And the things put forward in this concept all reflect the spatial characteristics in the national experience of the Dragon Kingdom.
Space is a very important attribute.
Whether the space is large enough and whether the land area is vast will definitely determine how much buffer the country can have in the face of danger.
To some extent, the biggest difference between Ermao and Baodao also comes from space.
And many people themselves cast aside the history and despise the culture.
It is precisely the time attribute that is extremely important.
Because of these, when we face some problems, we have more historical experiences that we can learn from.
It also shapes our ability to look at a problem from a higher level and a higher level.
This point, the biggest difference from the "city-state vision" of the Western Alliance headed by the Liberty Beacon Country, comes precisely from the first emperor known as the "tyrant" who is unique in history.
The higher-dimensional vision brought about by him laying the foundation first and the subsequent emperors sublimating step by step.
A large part of the biggest difference between the Western Alliance and ours also comes from this, and the perspective of viewing the problem is completely different.
Their city-state thinking, city-state thinking, is doomed, and they cannot look at the problem from a longer-term perspective.
The representative system has determined that the rights and careers of each of them are quite limited.
They are still constrained by capital, and they have no way to set a long-term and ambitious goal.
Even if there are one or two strange, dark horses...
What he did will soon be overturned by those who came after him.
This is also the reason why the concept of "civilized country" will seriously challenge the Western narrative concept of "freedom and democracy".
And this kind of concept, in fact, largely reflects the evolution of the Dragon Kingdom from a traditional civilization to a modern super-large country.
Also from the perspective of national construction, it puts forward a theoretical perspective of a dragon country-style modernization.
From the historical experience of the Dragon Kingdom, a new mentality of human civilization is proposed.
In a world where there were only Western values, a new direction has been placed.
The concept of civilized country, especially emphasizes the combination of ancient civilization and modern civilization, so it can provide solutions to many problems faced by many modern countries.
For example, it is like the split of the traditional political body and the break of traditional civilization.
The conflicts between tradition and modernity, as well as the conflicts within modern society, provide a rather good theoretical perspective.
On the continent of the Middle East, a certain two civilizations that had previously fought to the death and had no contact with each other, or even fought to the death, were able to shake hands and make peace, to a certain extent.
The concept of "civilized country" and "home", which is different from the Western cultural concept of the binary linear equation in the West, has provided a lot of help and played a key role in painting.
The concept of a civilized state is constructed not only as a narrative of the Dragon Kingdom, but also as a basis for the social science of the Dragon Kingdom.
It can also allow many civilizations who are at a loss in the Western cultural system to find new solutions and ideas for solving problems.
This is both a breakthrough and a rescue.
Restoring this world that has been almost broken into fragments by Western civilization, hostile to each other, and labeled with various labels.
Try to reproduce the ancient civilization, the glory of that "civilization".
Look at the whole world.
You will find that many countries with glorious pasts and brilliant civilizations in history have suffered from the image of nation-state discourse for many years.
Can't find the words to express myself.
It is impossible to reach a unified tacit agreement and a new bottom line in my heart.
The different expressions can only be defined by Western civilization with a ruler.
It has even been casually kneaded and distorted by the West with conceptual weapons such as democratization, liberalization, and modernization.
It even leads to many problems within oneself.
My own people are divided, causing huge problems within myself.
Whether it is cultural invasion or ideological disputes, in the final analysis, it is all a dispute for the right to speak.
Whoever can stand on the moral level and who can get the greatest right to speak will have the ability to evaluate and influence others at will.
In this future, the earth will encounter a solar helium flash crisis.
Now, why not?
Many people in the barrage area and the comment area even believe in Western things even more firmly than Westerners.
It's just a sci-fi movie.
At least on the surface, according to what Fu Zhendong said, "It's a hardcore science fiction movie.
However, it is only a difference from western concepts shown in a sci-fi movie.
I have received so much disapproval, judgment, criticism, and even abuse from my own people.
I even hope to use this to kill Fu Zhendong's movie, to prevent his movie from being released in other countries, shameful, and a joke.
Let the Dragon Kingdom be the object of ridicule by people from all countries.
Isn’t this an ideological image?
Yugong Yishan, what a precious thing.
But in this era, this year of 2015, the beacon of democracy in the West, the light bulb has not yet broken, and the country itself has not risen enough. The people of the Dragon Kingdom are not so confident about their own country.
"The Wandering Earth" is a sci-fi movie that has received countless praises in the future.
In this era, there doesn't even seem to be any soil for survival.
Look carefully at the people who leave comments.
You will find a strange phenomenon.
Those who are not optimistic, criticize, or even abuse, most of them are middle-aged people.
They are born in the 70s, or even born in the 1980s.
The environment in which they grew up is that the Dragon Kingdom is generally relatively backward, and it is also the most difficult era for people.
And those who agree, those who support (the money is good), even think that this is what should be in Longgui.
It is often a part of post-85s and post-90s.
The environment in which they grew up, the Dragon Kingdom is thriving and surpassing other countries.
They have a kind of cultural self-confidence, they can usually go to the West, and without that kind of Western things is the best kind of filter aura.
They are more able to think independently.
I am also more willing to believe in my own country, my own civilization, and my own fantasy.
That's an improvement, isn't it?
Just like those countries that are out of place in the Western cultural system, or even excluded, and completely unable to make their own voices.
Now, they can construct a breakthrough point of their own discourse system from the concept of "civilized country".
It is possible to establish a cultural system that has enough support and allows insiders and their own people to believe in it. .